D. H. Lawrence’s
critical essay ‘Why the novel matters’ was published in the collection titled
Phoenix in the year 1936. In this essay Lawrence speaks about the importance of
the novel and tries to establish the superiority of the novelist above other professions.
In an attempt to
illustrate the importance of the novel Lawrence explains the importance of life
and the living man. He says that the whole living man, the man alive, is more
important than his thoughts, ideas, his mind, or his stomach or liver or kidney
or any other parts of his body. Lawrence says that this is what scientists and
philosophers fail to understand. According to Lawrence a novel shows life and
its characters are nothing but man alive. The novelist understands the
importance of life and the man alive. Therefore the novelist is better than the
scientist or the philosopher.
Lawrence begins the
essay by commenting upon the saying ‘a sound mind in a sound body’. He calls it
a funny superstition that people think of themselves as a body with a soul in
it. He questions why one thinks of one’s hand as something subordinate to the
mind that operates it. The hand has a life of its own. It has knowledge and can
think and act for itself. The hand is as much a part of the living man as the
mind. The pen held by the hand however is not alive. A man alive extends only
to his fingertips. Lawrence says that whatever in a man is alive constitutes
the man alive. The hand, skin, freckles, blood and bones are very much alive
and part of the man alive. The living body therefore must not be compared to
inanimate objects like tin cans or clay vessels.
Lawrence in this essay
tries to explain why the novelist is better than the philosopher or the
scientist and in order to do so he explains the importance of the man alive.
According to Lawrence the novelist possesses an intricate understanding of the
man alive more fully than a parson, a philosopher, or a scientist. The parson
speaks about souls in heaven and the afterlife. But for the novelist heaven is
in the palm of his hand and the tip of his nose which are alive. The novelist
is not concerned about life after death. He is wholly concerned about life at
present and with the man alive. The philosopher speaks about infinite knowledge
possessed by the pure spirit. But for
the novelist there is no knowledge beyond what the living body can perceive.
For philosophers nothing but thoughts is important. These thoughts Lawrence
says are nothing but ‘tremulations on the ether’. They are not alive. They are
like radio signals floating in the air which are meaningless until they reach
the receiver – a radio device that decodes the signals into a meaningful
message. Similarly when thoughts are received by a man alive they become
meaningful and can alter the man’s life. But the thoughts nevertheless are not
alive. It is only because the man alive receives them that they become alive.
Only a man alive can be stimulated by thoughts. Thus the living body is more
important than the message conveyed by thoughts.
According to Lawrence
nothing is more important than life. Living things are more valuable than dead
objects. A living dog is better than a dead lion but a living lion is better
than a living dog. Lawrence says that scientists and philosophers find it
difficult to accept the value of the living. For the philosopher nothing but
thoughts matter. For the scientist a living man is of no use. He only wants a
dead man whom he dissects and observes under the microscope. For a scientist a
man is a heart, a liver, a kidney, a gland or a tissue. But for the novelist
the only thing that matters is a whole living man. Lawrence refuses to believe
that he is a body or a soul or a brain or a nervous system. He considers
himself to be a complete whole made up of all these parts, a whole that is
greater and more significant than the individual parts. And for this reason he
is a novelist and he considers himself superior to the saint, the scientist or
the philosopher.
Having established the
importance of the man alive and the novelist Lawrence proceeds to explain the
significance of the novel. Lawrence calls the novel a book of life. According
to him books are like thoughts - nothing but ‘tremulations on the ether’. They
are meaningful only when a man alive receives them. But he says that the
tremulations of a novel are more powerful than any other book and it can make a
whole man alive tremble. This means that the novel has the capacity to
influence a man more effectively than any other book. For example the ideals of Plato makes the
ideal being in a man tremble. Similarly the sermons or the Ten Commandments
affect only a part of a man alive. But a novel is capable of shaking the whole
of a man alive. This is because a novel deals in nothing else but man alive. In
this regard Lawrence calls the Bible a ‘great confused novel’. All its characters – Adam, Eve, Sarai,
Abraham, Isaac – including God are nothing but man alive. For Lawrence, the Bible,
Homer and Shakespeare are all great novels because they communicate to the
reader. Their wholeness affects the whole of man alive. They do not stimulate
growth in a particular direction but shake the whole man alive into new life.
According to Lawrence
the strength and appeal of a novel lies in the dynamic nature of its characters
which reflects the importance of constant change in the life of a man alive.
Nothing is constant and if something is forced to remain constant it loses its
value and power along with the passing of time. There are no absolutes. There
is only a constant flow and change and even change is not absolute. A man today
is different from what he was yesterday and tomorrow he will be different from
what he is today. A man loves a woman because of the constant change in her. It
is the change that startles and defies and keeps a man and woman in love with
each other. Loving an unchanging person is like loving an inanimate object like
a pepper pot. But even amidst change one needs to maintain one’s integrity.
However Lawrence says that putting a finger on one individual trait makes one as
fixed as a lamp post. It seems as if a man has made up an idea about himself
and is trying to trim himself down to fit into it. Lawrence says that one can
learn about the importance of change from a novel. In a novel the characters do
nothing but live. But if they begin to act according to a fixed pattern –
always remaining good or bad – the novel loses its life force. Similarly a man
in his life must live and not try to follow a pattern or else he becomes a dead
man in life. Lawrence however says that it is difficult to define what is
living. Different men have different ideas about what they mean by living in
life. Some go to seek God while others seek money, wine, and women, yet others
seek votes and political reforms. In this Lawrence says that the novel is a
guide which helps to differentiate between a man alive and a man who is dead in
life. A man may eat his dinner like a man alive or merely chew his dinner as a
dead man in life. A man alive shoots his enemy but a dead man in life throws
bombs at people who are neither his friends nor foes.
Finally Lawrence says
that the most important thing is to be a whole man alive and the novel provides
guidance in this matter. A novel helps a man to see when a man is alive and
when he is dead in life. The novel helps to develop an instinct for life. This
is because the novel does not advocate a right path or a wrong path. The
concept of right and wrong vary according to circumstances. A novel portrays
this unpredictable and varying nature of life making the reader realize that
life itself is the reason for living. The end result of the novel is the whole
man alive. Thus Lawrence asserts that
the novel is a book that can touch the life of a whole man alive and that is
why the novel matters.